Lisa Hammond's homepage
Lisa Hammond's home page

Online poetry publications
Swimming Lessons, Literary Mama
How to Identify Birds, storySouth


Lisa Hammond’s Moving House is a startlingly beautiful first collection of poems made of careful noticing, especially of the natural world. But more important than the naturalist’s accurate observation is the depth and delicacy (an oddly effective pairing) of an imagination that, in her best poems, transforms self and reader.    —Susan Ludvigson

I love how attentive to the world these poems are, the way they illuminate the small wonders that surround us. Lisa Hammond is a gifted poet, and this collection should gain her many appreciative readers.   —Ron Rash

Available from Texas Review Press and from Amazon


Cooking Shrimp

Off Highway 17, watch for the old man
with the red truck, the handwritten produce sign:
tomatoes, watermelon, peaches, shrimp.

Think who will eat them. Sharing shrimp
is a measure of your love: half pound apiece.
A pound for true devotion.

At home, wash each shrimp, the water just above
a trickle. Be careful: the sharp edge can catch
you, the soft place on your palm.

Season the boil with Old Bay. Fresh shrimp
still remember tidewaters, the taste of brine
an echo you must outweigh.

Pull off each shell, hear the crunch of sand
under your feet. Taste black mud, salt air,
each dark vein a history.

Moving House, by Lisa Hammond

The poems in Moving House are grounded in the sometimes haunted landscapes of South Carolina, a setting rich with the flavors of ripe peaches and tomatoes and fresh caught shrimp.  The speaker of these poems turns her attention to the ordinary objects of her Southern home, seeing artistry in the scales of a fish, the pearly buttons of a linen shirt, a missed eclipse, a sprig of morning glory run wild.  In the interaction between story, history, family, and memory, these poems find meaning rooted in the land, a source of both fear and wonder.

Moving the State Line

Around 1815, a stone monument was erected on the west bank of the confluence of the South Fork and Catawba rivers. It marked a critical corner in the much contested 401-mile state line that separates the two Carolinas.  When the Catawba was dammed a final time in 1925 to create Lake Wylie, the three-foot-high stone obelisk disappeared beneath the swirling waters.        
—Dan Huntley, The Charlotte Observer

The last surveyors marked a tree every mile, numbered
each one:  long leaf pine blazed to stand witness,

long fallen now, markers not even a memory—
and that before the waters rushed in, damming

the Catawba, rocky shoals buried, hunting lands,
and one small stone marker, monument carved

NC — SC.  Latitude 35.00.  Lake Wylie covers
a ghost state beneath, abandoned highway, stumps,

useless ferry, crumpled ruin of barn, farmhouse,
great convocation of bream the only observers

as divers draw boundaries like the long chalk line
on the children’s floor, faint marker of separation,

more dust.  Consider the permanence of lines drawn
in water: no echolocation can trace old edges, so faint,

never real.  Smooth soapstone surface buried in silt,
old hard core of earth still supporting the weight of line.

Once sharp words dim and soften each shift of current.
This water, not too deep for divers, but too deep for time,

hiding a line that existed unobserved, or never existed,
may yet be mapped by surveyors of our ancient world.

What story this stone tells, what marker lies mute,
what matters this line, past echo of divide.


Moving House

iii

Suspended
in a circle of green,
this house shows no signs
of settling.  A gust of wind
might carry it away. 

Our two forks rattle
in the breeze, blowing
through the kitchen. 
We catch them
at dinnertime, wipe
them through the dew. 
We never bother
to lock up the silver. 

Even our bed
will not stay put. 
The sheets play ghost,
the pillows fight,
the quilt unravels
when we’re not looking. 
Unruly linens.

We drift too, open
to pale moons, watching
sprinklers undone,
water’s breath seeping
slowly from grass. 

We laugh at lawns.
Not tied to one spot of green,
we circle through seasons
never touching
ground.

On Comprehending Gravity

He holds that note,
his mouth a perfect
o of understanding:

song of the science
of dropping, ode to the cup,
falling again, again, again,

each time, picked up,
returned.  His hand holds,
then drops, and no words

will stop this great force.
If G is Newton’s constant,
M mass of the earth,

r the distance to the center,
still, no equation can measure
this constant acceleration:

the cup, the ball, falling
forever in this moment.
No words can capture

the second of impact,
force of gravity, refrain
of fall, only that one

low note, as this boy,
my small scientist, tests
the world’s physics.

 

 

 


This page copyright 2000-2011 by Lisa Hammond | last update 26 July 2011

Dr. Lisa Hammond is a professor and poet working at the University of South Carolina Lancaster. She previously had this site posted at <http://web.infoavenet/~lrashley> or at <http://web.infoavenet/~lrashley/index.htm> under her former name, Dr. Lisa Hammond Rashley.  She most recently moved it from <http://web.comporium.net/~lghammond/> to this new site, where she devoutely hopes it will stay for a long while. If you have links to the old site, please update those.  Thanks.